Showing posts with label Captain Marvel. Show all posts
Showing posts with label Captain Marvel. Show all posts

Monday, June 19, 2017

Review: Captain Marvel by Jim Starlin, The Complete Collection

Captain Marvel Jim Starlin Complete Collection

A couple of weeks ago, Marvel had a fire sale on many of their Kindle / Comixology digital collections. I grabbed many of them (too many) and one of the first that I re-read was Captain Marvel by Jim Starlin: The Complete Collection. This retails now for $9.99, during the sale it was $4, but it's a great trip down memory lane regardless of the price. This could be called Thanos Volume 1, because it not only includes Captain Marvel #25-34 by Starlin and others, it also includes Iron Man 55 by Starlin and Mike Friedrich (first appearances of Thanos and Drax the Destroyer), Marvel Feature 12 (The Thing and Iron Man vs the Blood Brothers, working for Thanos), Moondragon's origin from Daredevil 105. The collection ends with the first and probably the best Marvel Graphic Novel ever, The Death of Captain Marvel. Plus covers and material from various reprints over the years.

Captain Marvel 25

Naturally reading the original comics is great, but let's face it, unless you've got them perfectly preserved they degrade over the years / decades. Reading these digital versions is a blast because the colors and details really pop. Take the cover to Captain Marvel 25 as an example - I doubt the copy I have in my longbox looks that good. I bought the original off a newsstand in 1973, knowing nothing about the character other than the Avengers held him in high regard. I did know a lot more about Rick Jones, having read about him in reprints where he was Captain America's sidekick.

The collection doesn't start with Captain Marvel. It begins with Iron Man 55, where Drax and Thanos enter the Marvel Universe for the first time. Starlin's artwork is a bit rough in this story and the first few CM issues. He doesn't write the dialogue for these stories, but he's clearly the plotter and designer of all these new characters. Starlin introduces so many great new characters in these stories, I suspect in hindsight it's incredulous that he developed them for Marvel. His debut issue of CM involves Mar-Vell facing a horde of enemies, which is really a test conducted by Super-Skrull to report back to Thanos on the Kree warrior's abilities.

Captain Marvel 26

Starlin's artwork is a bit rough in these first few issues. But he's improving with each one of them. I loved issue 26, where The Thing fights Captain Marvel. The fight is due to mistaken identity - Mar-Vell believes The Thing is really Super Skrull; The Thing can't explain the situation because his vocal cords have been silenced. Flimsier excuses have been used before! It's the beginning of a beautiful partnership between Starlin and The Thing.

Captain Marvel 29

Jim Starlin really ratchets up to the next level with Captain Marvel 31.  This is the issue where he writes the full story for the first time, and he has Al Milgrom inking him for the first time. The cover is iconic and was used on slurpee cups and other stuff. Mar-Vell transformed from a Kree warrior to a the Protector of the Universe by becoming "Cosmically Aware". This was a very 1970s concept, like if you meditated enough or became one with nature you could improve things more than with just sheer violence. But it seems Starlin had a plan for this character from the start. In the early stories, Mar-Vell is a very capable warrior but a bit reckless and prone to mistakes. A very strange, almost Ditko-esque being named Eon helps Mar-Vell walk through his past mistakes and to transform into something new. And into someone with blond hair instead of silver, because the latter made him look too old!

Captain Marvel 31 original artwork

Starlin's original cover to Captain Marvel 29. John Romita clearly re-touched the face and neck, which probably did not please Starlin.

What were the immediate changes in Mar-Vell due to Cosmic Awareness? He became aware of himself and his surroundings. He began to see bigger patterns. He still fought like hell, in the next issue there was a terrific battle with the Controller. But at least Mar-vell tried to talk the villain out of it before kicking his ass.

Thanos uses Cosmic Cube

Thanos gets a hold of a Marvel object that is so powerful, you wonder why anyone would lose track of it: the Cosmic Cube. After years of villains fumbling around with this object, Thanos is the one to finally make full use of it. He becomes a God, or an Insane God as the next issue teaser states. By this point, Iron Man, the Destroyer, the Titans and others have teamed up with Captain Marvel to fight Thanos and the odds were insurmountable.

Captain Marvel 33 final battle

By the time the final issue of this story came to a conclusion, the tension was ratcheted higher and higher. Thanos was learning to use the full extent of his godhood, although you wonder why he doesn't just evaporate Captain Marvel into atoms. This could be explained by a discovery made later in the Infinity War: Thanos has some defect of character that does not want himself to succeed. Perhaps that is too easy of excuse, but I bought into it!

IMG_0026

Thanos does decide to terminate Mar-Vell's life right upon his discovery about the Cosmic Cube having some residual link to Thanos' godhood. In this issue, Starlin makes the next leap forward in storytelling and artwork. It's such a mind-bending battle with Thanos in the proceeding pages, as he warps reality around Mar-Vell and Drax. Then he decides to pull the plug on Mar-Vell, by aging him quickly, but not before he can fossilize and destroy the Cosmic Cube.

Captain Marvel 34 Nitro

After this epic was done, for the readers at the time, minds were shattered. Wow. This guy Thanos had taken things to a extent no Marvel Comics villain had ever accomplished before! I was going to be a Starlin / Captain Marvel fan for life. What was going to come next? Could we look forward to years of Starlin on Captain Marvel? This was beyond compare. Unfortunately, the next issue arrived, Captain Marvel 34. The plot/artwork is by Starlin, dialogue by Steve Englehart, and it sets a new status quo for Mar-Vell's post-Thanos adventures. He battles a new villain, Nitro, a guy who explodes and reforms himself back together afterward. At the very end of their battle, Mar-Vell gets exposed to some lethal poison gas (powerful enough to destroy a whole city), collapses, and is seemingly dead. I remember thinking, well, Starlin will solve this problem next issue.

Captain Marvel 35 letters page announcement

Wrong! We got the shock of our lives, when Captain Marvel 35 (not included in this digital collection, I scanned the above from my collection) arrived with artwork by Alfredo Alcala! A nice artist on the black and white mags, but not on CM! The letters page explained that the Nitro issue was Starlin's last one. He was leaving to work on another somewhat cosmic character: Warlock! But this would set up a pattern for Starlin. He didn't mind killing off characters when he was done with them. Captain Marvel survived the poison gas and went on to many more adventures courtesy of Englehart / Milgrom and other creators - but there were longer term effects.

Death of Captain Marvel - Nitro gas

This Captain Marvel collection goes from issue 34 right into The Death of Captain Marvel. This was published originally in 1982; Starlin's last issue of CM appeared in 1974. This was a big event, for not only was Marvel getting into the Original Graphic Novel game, they were killing off a character, and there was no doubt that it would happen. Starlin was able to use the events of his final issue to deliver the death blow to Mar-Vell: cancer. And this story is a real tear jerker. There are no big fights, although there is an appearance by Thanos, post his final battle with Warlock from Marvel Two-In-One Annual 2. It is really a sad tale of what happens when anyone gets cancer and they can't win. They try to fight it, they accept what is going to happen and start to say goodbye to loved ones. I believe Starlin's father had died earlier of cancer, which gives a lot of authenticity to it. I cried when I read it originally; I cried reading it again.

I loved Captain Marvel by Jim Starlin: The Complete Collection! It made me feel like a kid again. Nuff Said.


Sunday, June 18, 2017

Avenger Annual 7 original cover art by Jim Starlin

I recently re-read the Warlock collection on Comixology - the penultimate chapter to this saga is Avengers Annual 7 from August 1977! The cover was an amazing work by Jim Starlin...

Avengers Annual 7 Starlin cover

Showing the Avengers + Captain Marvel (another Starlin character) in combat with the thralls of Thanos. Warlock stands on a hill in the distance, silently observing. The head of Thanos in the background is eerie, due to the overlay process used on the cover.

Avengers Annual 7 original art

For the orignal art, here are the main figures. Looks very cool even in black and white. On the horizon there is no Thanos or night time sky...

Avengers Annual 7 overlay

Here is the original art plus the overlay for the blue plate plus extra logo. It looks like Starlin used a razor blade to make the white streaks continue on from the hill Warlock is standing on.

I will be doing a review of this Warlock collection soon. Stay tuned! Nuff Said.

Tuesday, February 18, 2014

The Mark of Gil Kane: Captain Marvel and Black Bolt, together!

I've always loved Gil Kane's renditions of both Captain Marvel and Black Bolt from the Inhumans.  A few weeks ago I noticed the original cover art for Captain Marvel #53 (1977) which featured both of these characters together!



Original cover art by Gil Kane, inks by Frank Giacoia and/or Esposito.  Pretty much two characters in flight, it must have taken Kane less than half a day to execute this one?



With the color it really pops as Black Bolt's all blue outfit stands out next to Marvell's mostly red tights.  Nuff Said.


Tuesday, January 29, 2013

Captain Marvel, Warlock and Dr Strange by Jim Starlin

I discovered a 2004 commission or pin-up by Jim Starlin and Al Milgrom, aka Gemini!

Jim Starlin and Al Milgrom Warlock, Capt. Marvel, Dr. Strange Illustration Illustration Original Art (2004)

Captain Marvel, Warlock, and Doctor Strange together, the cosmic heroes teaming up with the mystic master.  Nuff Said!

Sunday, May 13, 2012

Thoughts on Thanos and Jim Starlin

I hate to spoil anything for someone who hasn't seen the Avengers movie yet, but if you haven't, please read no further!

Thanos Commission by Jim Starlin

All long-time Avengers fans must have been thrilled to see that Thanos was the mystery villain behind Loki's invasion of Earth and attempt to snatch the Cosmic Cube.  I had guessed at his identity early on but was surprised to see they actually animated his face and trademark ruffled chin in the post-script.  There is an article over an SlashFilm where Kevin Feige and Joss Whedon talk about how they arrived at using Thanos.

Captain Marvel, Avengers, Thanos by Jim Starlin

Like most of us, Whedon was a giant-size geek who was into Jim Starlin's early Marvel work.  Everyone who read both Captain Marvel and Warlock had to buy Avengers Annual #7 where both heroes united with the Avengers to stop Thanos from destroying the universe.  I still own that issue along with the conclusion in Marvel Two-In-One Annual #2.

Thanos Commission by Jim Starlin and Al Milgrom

Seeing Thanos on the big screen was really cool, because with Whedon we have a film-maker who is basically a geek like all of us.  He grew up reading comics in the 70s and this helped form his tastes as a writer.

Jim Starlin Thanos pin-up

At the same time, it's a bittersweet feeling regarding Jim Starlin, who probably won't receive any remuneration for Thanos or any of his Marvel characters, since they were created work-for-hire.  Some of this is discussed in Starlin's recent interview with Geoff Boucher on Hero Complex.  While it is true that Marvel doesn't legally have to do anything, you would think at the least they could invite Starlin to a premiere.  The classiest move ever was by Paul Levitz after Batman Begins arrived in theaters--he gave a bonus to Denny O'Neil, Neal Adams and others who had created the characters used in the film.  Marvel and Disney don't have to do it, but wouldn't it be great if they did? 

Check out Jim Starlin's profile on Facebook, where many of these Thanos commissions originally appeared.  Nuff Said!

Friday, April 6, 2012

Spider-Man, Captain Marvel and Captain America by Mike McKone

I really get a kick out of following Mike McKone on Facebook.  He has been sharing a lot of commissions with us over the past couple of years.  Here are three illustrations for the Classic Marvel fans...

Spider-Man vs Green Goblin by Mike McKone

Spider-Man versus Green Goblin.  I love everything about this composition, from the battle in mid-air to Spidey's crazy upside down punch at the Goblin.  Makes me nostalgic for the days when Osborne was just a regular old crazy villain instead of a megalomaniac!

Captain Marvel classic by Mike McKone

Captain Marvel.  No version of the Captain ever worked as well as the classic Kree hero in his Gil Kane designed costume.  I really thought Marvel was going to bring him back to the dead in their recent announcement. 

Captain America standing pose by Mike McKone

Captain America, taking a scan of the scene before jumping into action.  Nuff Said!

Source:  Mike McKone Facebook page.



Sunday, June 28, 2009

Silver Surfer, Captain Marvel, Warlock by Jim Starlin and Alan Weiss

A while back I mentioned how much I loved the early Marvel calendars from the mid 1970s.  A number of fans wrote back and clued me in on where to buy these (on eBay).  Now I have several of them--your feedback was much appreciated!

One month in particular I remembered was November 1976...that one featured this juicy pinup by Jim Starlin and Alan Weiss.

Jim Starlin Silver Surfer, Captain Marvel, Warlock for Marvel Calendar 1976

The Silver Surfer, with Adam Warlock one one side and Captain Marvel on the other, against a very cosmic outer space backdrop.  (I wish I had a better scan; this one was taken from a PDF found on Alan Weiss' site.)  I was a big fan of both Warlock and CM, mainly because of Starlin's fantastic artwork and stories.  Weiss was a friend of Starlin's and a wonderful inker--but I felt like we never saw his work often enough!  On seeing this pinup, I hoped that Starlin would one day work on the Silver Surfer.  He did, years later, in the 1980s.

Check out Alan Weiss' website, Surreal Deal.  Nuff said.

Tuesday, June 2, 2009

Marvels of Gil Kane: Captain Marvel

Marvel Comics' superhero, Captain Marvel, first appeared in Marvel Super-Heroes #12 (1967) and launched his own series soon afterward.  Captain Marvel was a Kree soldier named Mar-Vell and came to Earth wearing a white and green uniform.  After sixteen issues and fading sales, a fashion emergency was called.  Gil Kane drew the cover to Captain Marvel #17 (1969) that proclaimed one of the most extreme makeovers in comics history:

Captain Marvel 17 by Gil Kane

I think Captain Marvel's read and blue costume design is one of the greatest in the world of comics.  The yellow exploding sun in the center of his chest, the mysterious nega bands around his wrist, and the weird half-mask that exposes his hair--every detail just makes him visually unique and unmistakable.

More than just the costume design--it was the way the Gil Kane drew the character.  Don Heck had briefly drawn the new costume at the end of issue #16 and it wasn't nearly as exciting.

Besides the new costume, Captain Marvel #17 has a story that focuses not on Mar-Vell, but perennial sidekick Rick Jones.  After Rick's brief stint as Captain America's all-new Bucky ends, he leaves Avengers Mansion feeling destitute.  Holographic visions of Captain America lead him to a secret base, where he discovers the nega bands.

Captain Marvel 17 Rick Jones clangs the Nega Bands for the first time

After donning the nega bands and clanging them together, Rick Jones exchanges places with Mar-Vell, who had been trapped in the Negative Zone.  It seemed like kind of a raw deal to me, but Jones was excited to be back in the superhero game.  Gil Kane really makes Mar-Vell explode back into Earth's dimension in this full page splash.

Roy Thomas crafted this pairing of Rick Jones and Mar-Vell to become the Marvelized science-fiction version of CC Beck's Captain Marvel character.  Rick Jones slamming the nega bands together is akin to Billy Batson saying the magic word, Shazam!  After DC Comics had acquired the rights to Beck's Captain Marvel, they never published a comics series featuring the character.  Their rights to a comic book series with that title had lapsed.  Marvel Comics had latched onto the opportunity, which made perfect sense--here was a Captain named after the company.  But it completely shutdown any future comics from DC with the title Captain Marvel or Captain Marvel Jr--two comics that had a long publication history in the 1940s and 1950s.  One of the smartest landgrabs in the world of comics.

Rick Jones and Mar-Vell basically had a timesharing arrangement as far as "Earth-time" was concerned.  One stayed on Earth, while the other one watched his partner's activities from the Negative Zone.  They remained in telepathic communication, giving each other advice, or in Rick's case, making a lot of jokes.   Years later, Gerry Conway would partner up Firestorm's Ronnie Raymond and Professor Stein with a similar device.

Regardless of this nifty costume change and the Rick Jones gimmick, Captain Marvel was cancelled with issue #21.  Mar-Vell and Rick would go on to play a big role in the Avengers Kree-Skrull war saga.

Captain Marvel 22 the return by Gil Kane

While Captain Marvel #17 was a landmark issue, it wasn't the first one I bought.  DC Comics revived the Billy Batson Captain Marvel in 1972, in a comic titled Shazam!  I read that one first, but a short time later, Marvel announced they were reviving their character.  I bought Captain Marvel #22 when I saw it on sale at 7-Eleven during the summer in Phoenix, Arizona.  I couldn't quite understand why there were two Captain Marvels, but the cover to issue #22 by Gil Kane really made Marvel's version more attractive.  Mar-Vell's flying in a typical Kane pose and you've got that dude in the foreground where you can see his nostrils.  Nothing says panic like a Kane nose shot!

The cover blurb said:  He's back!  The Hero Who Wouldn't Die!  There you go, I was hooked.  Billy Batson was buddying up with Talky Tawny and exclaiming Holy Moley on every page.  Steranko's History of Comics had explained to me why kids in World War 2 went gaga over CC Beck's creation, but in the 1970s, that seemed weak to a kid raised on Star Trek and Spider-Man.  Mar-Vell had a cool costume and had returned from the dead.  There was no competition in coolness, Mar-Vell had won me over.  Nuff said.